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It was released on CD in 1996, and went out of print soon thereafter. That rarity on the contemporary rock scene — an integrated group from the Deep South — the Allman Brothers Band has for a couple of years rivaled the Braves for Atlanta’s affections the way the J. Geils Band stole the Red Sox’ following (a good part of it, anyway) in Boston. The version here is even better than the cut on the Allmans’ second album. Fillmore East, February 1970 is available exclusively through Grateful Dead Production. Whatever else one may have to say about Graham, though, his taste in music has been largely unassailable, and hence it came as no surprise at all to anyone in the music business when Graham selected the Allman Brothers (and the Geils Band) to close out the Fillmore East. This release recalls the Brothers in support of the Dead and Love in February 1970 at the fabulous Fillmore East. Fillmore East, February 1970 is a live album by the rock group the Allman Brothers Band. Why Are Men So Compelled to Defend Jacking Off on a Work Zoom? Any comparison to anybody is fatuous. at Stonybrook: Stonybrook, NY 9/19/71, Play All Night: Live at the Beacon Theatre 1992, The Essential Allman Brothers Band: The Epic Years, Col. Bruce Hampton and the Aquarium Rescue Unit, https://en.wikipedia.org/w/index.php?title=Fillmore_East,_February_1970&oldid=980861216, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, "Mountain Jam" (Leitch, D. Allman, G. Allman, Betts, Oakley, Johanson, Trucks), "Mountain Jam" (Leitch, D. Allman, G. Allman, Betts, Oakley, Johanson, Trucks) [incomplete], "Outskirts of Town" (Weldon, Jordan) [incomplete], "Mountain Jam" (Leitch, D. Allman, G. Allman, Betts, Oakley, Trucks, Johanson) [incomplete], Kirk West – associate producer and logistical coordinator, This page was last edited on 28 September 2020, at 22:01. The Allman Brothers shared the bill with the Grateful Dead on several notable occasions. The range of their material and the more tenuous fact that they also use two drummers have led to what I suppose are inevitable comparisons to the Dead in its better days. On the strength of their two previous albums and, more recently, a string of knockout live performances from coast to coast, the Allmans have come likewise to be known as “musicians’ musicians,” a band’s band. Stanley Owsley -- the Grateful Dead's very own sonic solution -- recorded this music the same way that he documented the Dead night after night. In 2018, the album was remastered and rereleased by the Owsley Stanley Foundation, with the title Bear's Sonic Journals: Fillmore East, February 1970. It was released on the Grateful Dead label, in cooperation with the Allman Brothers' record company at the time, PolyGram Records. It’s honest, I guess. It was recorded by Owsley Stanley at the Fillmore East in Manhattan on February 11, 13, and 14, 1970. Turn the volume up all the way and sit through the concert; by the time it’s over you can almost imagine the Allman Band getting high and heading back to Macon (where, characteristically, they continue to live in unparanoid bliss) on their motorcycles.
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